The essence of understanding photography is understanding light. Stand any object near a window and capture the light falling on it and you will get a great shot. I love this image where the light is coming through an old window pane, casting criss cross patterns over the medieval stone and hymn stand of St. Gwynog Church, Llanwnog.
The hymn numbers could be for a wedding, funeral, a baptism maybe, but probably it is a Sunday morning service, a regular new day in any city, town or village and we all look forward to those.
Recently, while visiting San Francisco, we took a family trip to Carmel by the Sea. We were mainly there for the wine tasting bars but stumbled across a fabulous Photography gallery in the town, called the Photography West Gallery. Sometimes, I look through the window and enjoy pictures without entering a gallery, this time however I dared to venture in.
I’m stood looking at an image on the wall thinking, crikey that looks like an Ansel Adams..and it was ! There were lots of them! The owner happily answered my sceptical questions, such as “How on earth did you get hold of these?” Turns out one of Ansel’s assistants “Phyllis Donohue” passed away and her private collection was brought to the gallery to exhibit.
“Donohue’s primary duties were spotting and print preparation, but she also assisted Ansel in the darkroom. One task assigned to Phyllis was the cataloging of Ansel Adams’ negatives. The most famous negatives had been placed and dated, but there were countless others with no documentation. Phyllis assembled a diary log of all Adams’ travels over the decades, and then assigned dates and locations to every negative. Over twenty years, Ansel Adams would often give Phyllis a photograph to mark special celebratory events like birthdays and holidays. He also inscribed personal dedications to Phyllis on many of the photographs. She treasured these photographs for their association with what was the happiest working period of her life, and protectively stored twenty-two original photographs for thirty years until her death in the summer of 2018.”
The Donohue Collection. is currently on shown until February 2019.
Turns out it’s part of their current exhibition The Donohue Collection.
Recently, my very good friend and ace photographer Anthony Fawkes shared a photo challenge for 2019 from Petapixel entitled The 52 Week Challenge
Week 2 in the list of challenges is to use existing knowledge of the Rule of Thirds and show motion in a picture. Lately, I seem to have forgotten all about this popular rule in photography and any picture that happens to have subjects placed at the intersection of virtual horizontal and vertical lines, is a happy accident.
So time to re-learn this technique and a whole lot more about composition before hitting the shutter button. I like this about challenges. Not only is it a motivation to get out and take photos and learn more useful stuff, but, by researching I often discover folk out there have a completely different take on the norm and this should improve the overall quality of pictures that I take in the future.
Take for example, 10 Myths about the rule of thirds an article by the photographer Tavis Leaf Glover available on YouTube. He would rather ditch the use of Rule of Thirds altogether, as he argues it limits composition in both photography and in painting. He’s got a point!
So, I’m going to do a little more research, get the glass out this weekend and see if I can not only get a decent rule of third image showing motion, but add to it using some of the influences of Tavis’s article.
Let me know what you discover and share any photos you might take on my 52 Week Challenge Facebook page.
Just finding somewhere to shoot a night scene was very tricky. It had to be really dark because no one wants to work all night especially on a short film where the budget is tight. Only two suggestions emerged – one was a basement under a community centre in Hanwell over near Ealing while the other was a bunker in Dalston, London E8, that had been used as an air raid shelter in World War 2.
The bunker recce revealed a dank cavern of solid concrete down a couple of dozen steps. Moisture hung in the torch beams diffusing the light. There was the added bonus that there would no need for any set dressing to make it look grotty, and right outside was a pop-up bakery that exuded distracting wafts of freshly-baked bread all day long. Above all, it was solid dark down there with no light sneaking in anywhere.
The rest of the production team agreed it was ideal for our supernatural shoot. A mass of torches were rounded up to help the crew set up, and stout footwear was vital with the pooled rainwater and years of collected gloop on the concrete floors.
During shoot days, anything that fell on the floor got soaked and was often ruined. Paper scripts and schedules went quietly limp in a couple of hours due to the damp. And whilst the bunker maintained a steady comfortable temperature, it was easy to forget the scorching late summer weather upstairs.
The bunker’s only negative was that it wasn’t sound proof, and many shots were halted by the arrival and departure of lorries collecting and delivering skips, rubbish and more. Still the shoot was a success even if the schedule went AWOL, and post production is well underway.
A D Cooper Writer & director
The Penny Dropped” is in Post Production. My Low and High resolution images are with the Producers and the first images are carefully being released. For me, the shoot was such an adrenalin rush. At first, eager anticipation, thoughts and ideas, then the crazy day getting the shots down, and now waiting to see the final Production images and the film itself. Whilst as always I go on to the next assignment, the next lighting, the next microphone shot.. for me each shoot is “In Post”.